Stop Motion Animation Stop Motion Animation Stories
Stop Motion Animation Stop Motion Animation Stories
Storytelling with Terminate Motion
End Move Nuts #one
This article covers some ways to tell a convincing story. A potent narrative does not have to be complicated. In fact, simple episodes often go out the best impressions in our retentiveness.
Let's expect a curt vignette below.
Did you lot find that there were a few parts to the story?
- Luxo Jr. (the lamp) hopping in to supersede the "I". [PREMISE]
- His bulb blacks out and he becomes anxious. [CONFLICT1]
- Wall-E arrives to help supersede the bulb. [SOLUTION 1]
- Wall-E knocks over the "R" on his manner out. [CONFLICT 2]
- Wall-E changes his form to become the "R". [SOLUTION 2]
As short equally that vignette was (xl seconds), there was in fact a very clear story structure. That makes a story believable and piece of cake for the viewer to understand and follow.
01. ELEMENTS OF A Good STORY
- suspense
- details
- character development
- arrangement
SUSPENSE
Drop hints, do not reveal everything to the audition right at the beginning. Foreshadow what is to come, create unsuccessful attempts earlier something really happens. Make the audience want the character to succeed, to ride forth with the character'due south emotional journey.
DETAILS
Successful attention to detail refers to storytelling with as many of the five senses as possible. What do nosotros run across? What do we hear? What is the grapheme thinking?
Stretch the right moments, vary the footstep of the story to create an experience that the audience can absorb with their v senses.
Grapheme Development
A practiced story hooks the audience with carefully crafted characters. Even if it's just 30 seconds of advertisement, we remember the Ribena Drupe, Mr Muscle, the Sony Ericsson squirrel, Mrs Chong and Mr Kumar.
If the audience sees the story through the main characters point of view (POV), information technology is extremely of import for he/she to be a believable character.
Information technology is up to the animator to mankind out the character's personality through the concrete traits, behaviour and language that the character uses throughout the clip (eg. we associate Phua Chu Kang with the typical Singaporean contractor through his dressing, footling 'uncouth' habits, and liberal use of Singlish throughout the show).
Your choice of supporting characters is also of import. Do they assist forwards the story? Or confuse it? A good instance is the bumbling LeFou in Beauty and the Creature. His lightheaded antics pale in comparison to the mighty Gaston, helping to enhance Gaston's paradigm every bit the leading male person.
ORGANIZATION
This refers to your Sequencing. Do yous starting time the story at the Climax? Or the Ending? What is the best way to tell your story? Does the character go through a convincing alter throughout the story? Is the audience hooked?
A skillful story besides needs a clear story arc. The Orientation, the Problem, the Climax, the Resolution and the Conclusion should all be present regardless of the elapsing of the clip.
02. CREATING A STORY Lath
Now that you have your story, how would you plough information technology into a stop-movement motion-picture show? The storyboard is a practiced stride in helping you and your squad programme for production. It is also i of the deliverables that yous need to submit for the project.
The diagram below details the elements of a storyboard.
Every change in camera angle requires a separate console on the board. For case, y'all have scene in the aforementioned classroom, but from 3 different angles. Then in that location should be at to the lowest degree 3 panels on your storyboard for that scene.
03. USEFUL LINKS AND VIDEOS
DOWNLOAD HERE
Stop Motion Animation Stop Motion Animation Stories
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